Stock in the Objects, Boxes, Bronzes and Paintings Categories

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1906/18: A stunning quality and large late 18th/early 19th century "Palais Royale" French SEWING BOX. The satinwood box, with its carved mother-of-pearl decoration and "clasped hands" MOP handle, opens to reveal the astonishing interior with its full complement of MOP tools and implements which include: carved MOP handled scissors; carved MOP needle-case; penknife; thimble; bookmark; set of four "snowflake" winders etc etc. Below is the section for holding silk thread, and the whole box, which is complete with working lock and key, is raised on pretty MOP feet. 11.5 x 8 x 5ins (29 x 20 x 12.5cms) An amazing box! c.1800

box, French, object, sewing

£2450

1905/18: A good late Victorian or Edwardian fitted box of DRAWING INSTRUMENTS in excellent condition. The oak box, with its brass corners and vacant brass cartouche to the lid, opens to reveal the fully fitted upper tray with various draughtsman's implements, whilst in the compartment below are a number of precision rulers; protractors; set squares etc.,including a bronze parallel ruler. Signed by the makers: Stanley of High Holborn, London. c.1900

box, drawing, instruments, object

£265

1904/18: Serge YOURIEVITCH: an attractive BRONZE SCULPTURE of a ballerina which is entitled: "La Danseuse Nattova". The naked dancer is depicted 'en pointe' with her right arm raised, whilst it is titled and signed within the integral base. 15ins (38cms) high. *Natasha NATTOVA was a renown avant garde Russian ballerina who successfully took up cabaret and burlesque in London Paris & New York. Serge YOURIEVITCH who was born in 1880 into a leading Russian family, fell under the spell of Rodin, who encouraged him to become a sculptor. He left Russia for the West during the revolution in 1918 and found great fame for his work. c.1915

ballerina, bronze, naked, object

£975

1903/18: A delightful and compact late 19th century LADY'S SEWING BOX in wonderful original condition. The boulle-work box is beautifully inlaid with engraved brass into a pink background and opens to reveal the fully fitted interior with all its original twelve implements ~ many of which are silver. These include: scissors; silver pencil; pair of thimbles; needle-case; silver toothpick etc., whilst the lid is lined with padded silk. The hinges and lock are all of engraved brass and it is complete with its original (working) key. Very pretty. 8ins (20cms) wide. c.1880

box, sewing, Silver, work

£675

1901/18: J. GARNIER: a charming BRONZE FIGURE of a young sailor-boy, dressed in "bobble-topped" beret and sailors smock, his arms folded as he dances a jig. Good colour and patina, and signed to the integral bronze base. 10ins (25.5cms) high including the rouge marble plinth. *JEAN GARNIER (1853-1910) was a 19th century French sculptor known for his bronze figures and decorative vessels. This particular model has been seen with the label: "La Gigue" (The Jig). c.1890

bronze, French, object, sculpture

£295

1899/18: An interesting mid-19th century English "millefiori" INK BOTTLE of large size and in perfect condition. Both top and base are (internally) decorated with multi-coloured glass "rods" to produce a distinctive design often used in paperweights. This particular example is dated 1848 (see close-up image). 5.5ins (14cms) high overall. *Millefiori (from a combination of two latin words "mille" and "fiori" (thousand flowers) is the term used for this type of ornamental glass that is decorated with different coloured rods, which are fused together inside transparent glass. Most usually seen in paperweights. c.1848

Glass, object, paperweight

£295

1896/18: ISADORE BONHEUR: a charming BRONZE SCULPTURE group of two Merino 1875sheep (a ram and a ewe) close to each other and standing in a pasture. Finely modelled and beautifully detailed, this excellent animalier group is signed within the integral bronze base. 12ins (30.5cms) wide. *Isadore Jules Bonheur (France, 1827-1901) was a highly distinguised "animalier" bronze sculptor who in his early years worked closely with his equally famous sister, Rosa. c.1875

animalier, Bonheur, bronze, object

£895

1894/18: A good quality 3-bottle TANTALUS by Betjemann. The nickel-plated brass mounted honey-oak frame contains the set of three original and large decanters & stoppers which are in perfect condition. Signed "Betjemann's Patent"; retailed by Goldsmiths and Silversmiths of Regent Street, London and complete with the original and working Bramah key. c.1880

Betjmann, decanters, object, tantalus

£450

1893/18: A most handsome ormolu ELECTROLIER or CEILING LIGHT in super condition, with four pairs of lights featuring "flame" glass shades with ormolu caryatids between each pair. To the centre is a large cut-glass frosted bowl, supported on ormolu garlands, whilst the whole electrolier hangs on its original (adjustable) ormolu chain. VERY impressive! 32ins (81.5cms) 'drop' excluding the chain. c.1930

chandeliers, furniture, object, Ormolu

£1850

1889/18: An impressive and most unusual late 19th century DOMESTIC POSTBOX ideal perhaps for a hotel foyer. Constructed of solid mahogany with an aperture to the sloping top for letters, it features an interesting marquetry panelled front door depicting a scene of a farmhouse within a rural setting of trees etc., very much in the Art Nouveau style of Galle. This door opens to reveal a shelved interior and it is set on a double plinth base. 42ins (107cms) high. c.1900

ArtNouveau, box, furniture, post

£985

1887/18: A beautifully fitted Regency period SEWING BOX by the famous company of Edwards: boxmakers to George IV; William IV and Victoria. The finely figured rosewood case is inlaid with brass scrollwork to the lid and front, and opens to reveal the wonderful set of sewing tools & equipment. These include: full set of 6 MOP cotton reels (gold centre bosses?); cut-glass scent bottle (gold top); two silver thimbles and a central tray of tools comprising scissors; pencil corkscrew; bodkin etc.whilst to the rear is a pair of MOP-backed needle cases. Vacant compartments feature shallow gabled lids (an Edwards 'hallmark') whilst within the lid is a ruched silk-fronted wallet for pattens etc. Gorgeous! 12 x 9 x 6ins. c.1830

box, Edwards, object, sewing

£1350

1884/18: A good late 18th/early 19th century NEEDLEWORK SAMPLER signed by Susan Mary Williams of the Lozells Establishment. Finely sewn with peacocks; lions; trees and shrubs together with religious text within an ornate border. It retains its good bright colours. 23 x 21ins (58.5 x 53.5cms) including its narrow ebonised frame. *Lozells is a loosely-defined area of West Birmingham, that currently is home to Aston Villa Football Club. In the late 18th/early 19th century various religious schools were established in the area, and it is likely that the "Lozells Establishment" was one of these. c.1880

needlework, object, sampler

£475

1882/18: An interesting and beautifully modelled BRONZE SCULPTURE of a cow, grazing peacefully. Mounted on an 'Arts & Crafts' style adzed oak base. Probably English; very lifelike and somehow rather charming. Unsigned. 9.5ins long; 7ins high. (24 x 18cms) c.1890

animalier, bronze, bull, object

£395

1881/18: A rare and early Charles II period NEEDLEWORK PANEL of the late 17th century. As with most needlework of the period, it depicts a religious scene. Here we see Abraham casting out Hagar (his second wife) and Ishmael (his son by Hagar). Various animals are also depicted including: a rabbit; hound; stag and birds etc., whilst various other figures can be found. In a later Victorian bird's eye maple frame. 17.5 x 13.5ins (44x33cms) including the frame. c.1660

17thcentury, needlework, object, stumpwork

£1350

1880/18: A good Royal Worcester porcelain JAR & COVER, handpainted with flowers on a blushed ivory ground, with twin handles and moulded cover. Perfect. 6.5ins (16.5cms) high overall. Dated code for 1896 c.1896

object, Porcelain, Worcester

£195

1876/18: HENRY JUTSUM: a good and large English LANDSCAPE OIL PAINTING which is entitled: "By The Wayside". It depicts a typical English rural scene with travellers on a country road with mountains in the distance and a Mother and daughter resting beside the track in the foreground. Signed and within a good gilded composite frame. 33 x 25ins including the frame (84 x 63.5cms)*Henry Jutsum (1816-1869) was a London-born landscape painter who exhibited at the Royal Academy from 1836-1869. Although he painted in watercolours, after 1848 he restricted himself to working solely in oil. His work was much admired at the time... c.1850

landscape, object, Oil, painting

£1100

1874/18: An excellent quality early/mid 19th century DEED or DOCUMENT BOX of good size. Constructed of solid well-figured mahogany, it is inlaid with brass stringing and features heavy screwed brass edges. To the centre is an engraved brass cartouche with crest and motto: "Resolve Well Persevere" with the initials WM, whilst the interior is lined in red leather with a superb original label within the lid. Complete with working key, it measures: 12.5 x 9.5 x 4.75ins (32 x 24 x 12cms). An impressive, heavy and useful box ~ perhaps for family documents; deeds etc... c.1830

box, deed, object

£650

1873/18: "The Wharfe, Bolton Abbey in the Distance": a good original OIL PAINTING on canvas by Copley Fielding RWS. This attractive painting, still within its original frame, depicts a fisherman on the River Wharfe (which marks most of the boundary between West and North Yorkshire), with Bolton Abbey behind and mountains in the distance. Various old labels on the back refer to it being part of the Leeds Exhibition of 1868 and with the Fine Art Society in 1942. 22 x 17.5 inches include the frame. *Copley Fielding (1787-1855) was a marine and landscape painting who exhibited 17 paintings, all oils, at the Royal Academy from 1811 - 1842. He was one of the most fashionable painters of his day, and won a medal at the Paris Salon, although he never travelled abroad himself. c.1840

Fielding, object, Oil, painting

£1100

1871/18: A fine PAIR of French ORMOLU CANDELABRA, of good colour. Of rococo design, each of the three ornate branches is complete with drip-pans, whilst the central 'column' features a young man on one, and his companion, a young girl on the other. c.1870

candlesticks, French, object, Ormolu

£495

1868/18: A lovely quality 'hammered' solid silver spoon by OMAR RAMSDEN, with its slightly pointed rat-tail backed bowl and tapering stem. Fully hallmarked for London 1919. 7ins long. * Omar Ramsden (1873-1939) was a Sheffield-born silversmith of great note. He was a leading and highly influential designer and maker of high quality silver, much collected today. c.1919

ArtsCrafts, object, Ramsden, Silver

£385

1867/18: A particularly fine and thoroughly original 18th century Chippendale period mahogany HANGING CORNER CABINET in excellent original condition. Below the pierced "Swan-Neck" pediment with its carved and gilded rosettes, is the well-figured and banded door, which opens to reveal three shaped shelves (making four in all). This door is flanked by reeded sides, and the painting of the interior, whilst not original, is certainly very old and in beautiful order. Dimensions to the corner: 22.5ins (57cms) c.1775

ArtsCrafts, cabinet, Chippendale, furniture, Georgian, object, Ramsden, Silver

£985

1864/18: A pretty mahogany PHOTOGRAPH FRAME embellished with delightful ormolu mounts. Can either be hung on a wall from its upper ring, or supported by its integral easel on a table. Probably French and in excellent condition. 8.5 x 6.25ins (21.5 x 16cms) c.1900

frame, object, Ormolu, photograph

£185

1859/18: HENRI FUGERE: an unusual and quite large cast BRONZE DISH by this famous French sculptor. Of the Art Nouveau period, it depicts a naked young woman reclining in a field whilst holding flowers in her left hand. The two handles show distinct influences of the Art Nouveau movement, and it is signed by the artist, lower right. 16.5ins (42cms) wide. *Henri Fugere (French 1872-1944) was a statuary artist, born in St. Mande, a city to the North of Paris. He studied in Paris with Barrias and Cavalier amongst others, and was influential in the Art Deco movement for 'chryselephantine' figures (usually a bronze body with ivory face, hands and feet) made famous by Chiparus, Preiss and others. c.1895

bronze, French, object, sculpture

£485

1854/18: A fine and fully fitted early/mid-19th century mahogany APOTHECARY'S BOX (or medicine cabinet) of compact size. The solid mahogany case with its recessed military-style handle to the top, opens with twin doors to the front to display three sections of bottles, all with labels, and two drawers below with further labelled bottles; pestle & mortar; scales & weights and other medical items. To the rear is the "secret" section with four bottles of "poison" ~ all labelled but thankfully without their contents! A pretty and complete example. 10.5ins (26.75cms) high. c.1840

apothecary, box, medicine, object

£1650

1850/18: A very good and well-fitted mid-Victorian coromandel-wood WRITING BOX in excellent original condition. The beautifully-figured case with its brass edges and inlaid brass stringing opens to reveal the fitted stationery compartment (complete with original leather blotter) which slants forward when access is required. The front then folds down to reveal the original gilt-tooled purple velvet writing surface, with compartments to the rear and the superb original pair of ink bottles with engraved and gilded lids. Lined throughout in satinwood ~ this is a fine large and useful writing box. 15x10.5x7.5ins (38x26.5x19cms). c.1870

box, object, writing

£985

1847/18: An interesting Art Deco BRONZE FIGURE of an African warrior very much in the style of Hagenauer. He stands on one leg holding a shield in his left hand and brandishing a long spear in the other. Signed to the base: "RR" and Austria. Somehow rather charming.... *The signature "BackwardR/ForwardR" has been for many years been accredited to Rena Rosenthal. However it is now thought this signature refers to work by Richard Rohac (1906-1956), Austrian designer and master metal craftsman. c.1930

ArtDeco, bronze, object

£295

1845/18: An impressive and fine-looking late 19th century TERRACOTTA FIGURE by the famous Goldscheider factory of Austria. This large figure depicts a young peasant girl holding a flagon in her left hand, her right hand on her hip. She wears a headscarf and country clothes and stands 26ins (67cms) high. Impressed Goldscheider mark and model number 4578. *The factory was founded by Frederick Goldscheider in 1885 and soon became the leading terracotta, faience and bronze manufactory in Austria. Famous for creating masterpieces of historical revivalism, the family emigrated to America and Britain in 1938. c.1890

Goldscheider, object, sculpture, terracotta

£750

1842/18: A good late Victorian or Edwardian mahogany BAROGRAPH in perfect working order. The 8-day 'movement' features an eight-vane bellows and is fitted with a separate thermometer, whilst the mahogany cast has a drawer (for new and used charts) and spare ink bottles. Retailed by J. H. Steward of London. 14ins wide; 8ins high; 8ins deep. 35.5 x 20 x 20cms) c.1900

barograph, clock, object

£750

1839/18: EUGENE MARIOTON: a charming French BRONZE SCULPTURE of a young nymph, with long hair and scantily dressed, walking down a rocky path holding a conch shell to her ear. It is signed to the integral bronze base, it is also complete with its original rouge antico marble plinth. 13ins (33cms) high. *EUGENE MARIOTON was a Paris born French sculptor who worked mainly in bronze. He was born in 1857, one of three brothers who were all artists (though not sculptors) and he died in 1933. c.1885

bronze, Girl, Marioton, object

£895

1836/18: A good quality hallmarked SILVER CARD CASE in particularly good condition, probably because it retains its original leather covered and velvet-lined protection case. Beautifully engraved front and back, and with a vacant shield-shaped cartouche to the front, it is hallmarked for Birmingham 1902. c.1902

box, object, Silver

£295

1834/18: AUGUSTE MOREAU: an attractive late 19th century French BRONZE FIGURE of a young girl walking barefoot through the countryside carrying a sprig of flowers in her left hand and a basket of fruit over her arm. Signed 'Aug Moreau' within the integral bronze base and also labelled with an applied plaque for the foundry: "Duval, Bronzier, PARIS". 16ins high. *August Francoise MOREAU (1834-1917) was a famous French sculptor, one of a family dynasty who were all sculptors. The Father, Jean-Baptiste, had three sons: August, Maturin and Hippolyte-Francois. c.1870

bronze, Girl, Moreau, object

£1100

1826/18: An interesting and quite large pair of Oriental BRONZE VASES in good condition. Possibly Japanese (?) or maybe Burmese, each is of tapering hexagonal form, with side handles cast as stylised elephants heads. To the back and front of both vases are large panels of cloisonne (inlay of coloured enamels) and the bases are cast with an as yet unresearched 'signature'.12ins 30.5cms) high. Priced for the pair... c.1800

bronze, object, Oriental, vase

£450

1821/18: An elegant and fine quality SILVER SUGAR BASKET in excellent condition. Of 'boat' shape with a pretty swing handle, it is supported on an oval pedestal base and is beautifully decorated with 'bright-cut' engraving throughout. The handle and edge of the base are cast with beading, and it is fully hallmarked for London: 1873. c.1873

object, Silver, Sterling, sugar

£265

1812/18: A pretty early Victorian solid silver SNUFF BOX in fine original crisp condition. Decorated with engine turning and reeding with a cast flower border, it opens to reveal its good fire-gilded gold interior and with hallmarks to both lid and base. The lid itself is beautifully engraved with a presentation inscription dated 1841, whilst the silver itself is dated 1840, maker Edward Smith of Birmingham. Pristine condition. 2.75ins wide. c.1840

box, object, Silver, snuff

£395

1807/18: Something a little different: a small collection of five early 19th century MINIATURE PORTRAITS arranged together in one contemporary oval gilded frame. To the centre is a fine portrait of Admiral Nelson, with Lady Hamilton and perhaps Samuel Johnson as two of the other well-known figures that surround him...the remaining two are currently a mystery. All appear in fine condition, and the frame seems original. 24ins high; 21.5ins wide. *To the back is a handwritten inscription (illustrated) which has not yet been deciphered! c.1820

Miniature, Nelson, object, painting

£675

1800/18: A particularly fine quality mid-Victorian burr walnut LADY'S WRITING BOX in very good original condition. Of glorious 'warm' honey colour it is bound with ornate Gothic mounts, all of which retain their original gilding and it opens to reveal a beautifully fitted interior, with a fine pair of gilt brass topped ink bottles and various compartments for stationery. The original 'royal' purple silk velvet is in exceptional condition. *This is almost certainly a box by the firm of Betjeman, renown for their very high quality boxes. The late poet laureate, John Betjeman was a descendant. Measurements:15.5 x 10.75 x 5 inches (39.5 x 27 x 12.75cms) c.1865

box, Gothic, object, writing

£895

1798/18: A very good late Victorian brass-mounted 3-bottle TANTALUS in exceptional condition. The frame is of well-figured coromandel wood, with linings of satinwood in which the original set of three cut-glass decanters (all of which are in mint condition) are housed. Complete with original working Bramah lock and key. Engraved brass plaque for Mappin & Webb with the date 1880. c.1880

coromandel, decanters, object, tantalus

£675

1797/18: A very large, attractive and colourful CHINESE PORCELAIN VASE and cover, with some repairs. This impressive vase, decorated in the "famille verte" style, with birds perched amongst foliage and chrysanthemums, has two small chips to the edge of the lid and two areas of repair to the neck. The main body is in fine condition.* Interestingly, there is a label inside the lid, which states: "This article is guaranteed to be part of the prize, ex "Tantallon" captured by the British Fleet and sold by order of H.M. Admiralty Marshal. Alexandria in the year 1916". Kangxi, mid 19th century or earlier? 22ins high; 15ins diameter. c.1800

Chinese, coromandel, decanters, object, Porcelain, tantalus, vase

£1850

1795/18: A good quality and quite large late 19th century Austrian "Vienna" BRONZE RACEHORSE in good original condition. Unsigned, the original cold-painted finish is in fine condition with only very minor paint chipping here-and-there, whilst the casting is excellent with fine detailing. 9.5ins long; 8ins high. (24 x 20.5cms) c.1880

Austrian, bronze, object, Vienna

£480

1788/18: A fine and unusually large early 19th century SILKWORK PICTURE in very fine original condition. Complete with its original ornate gilded frame (which shows no signs of having been disturbed) it has retained all of its bright sparkling colours and depicts a biblical scene ~ perhaps Rebecca at the well ~ with further figures and a town in the distance. The needlework is exquisite, with longstitich; cross-stich and stumpwork techinques being used. 25 x 22ins (63.5 x 56cms) including the frame; the image: 18ins x 14.5ins (45.5 x 37cms). *NB: apologies for the reflections caused by the original glass. c.1830

needlework, object, picture, stumpwork

£895

1777/18: W. NOEL JOHNSON: a beautifully worked and impressive OIL PAINTING ON CANVAS entitled: "At Sala on Lake Como". It depicts the village on the shores of the lake with snow-capped mountains of the Italian Alps in the background. It is fully signed (lower right) and inscribed on the reverse, including reference to it being shown at an exhibition in Manchester. 37 x 26 ins (94 x 66cms) including the original frame which is in good condition. * W. Noel Johnson is known to have worked towards the end of the 19th century. He lived in Bowden (Cheshire) and exhibited at Suffolk Street circa 1892. c.1890

Italy, object, Oil, painting

£1150

1771/18: A charming George III period solid SILVER BON-BON (or "sweetmeat") DISH, with a beaded swing handle and delightful pierced and engraved decoration. It is raised on a pierced oval base and is fully hallmarked for London 1805. 6.5ins (16.5cms) long. c.1805

dish, Georgian, object, Silver

£295

1768/18: A fine late 18th century George III period oval SILVER TEAPOT STAND in lovely original condition. It features typical "bright" cut engraved decoration and is supported on four pretty reeded shaped feet. Fully hallmarked for London 1797, maker Walter Brind. 6.5ins ( 16.5cms) wide. c.1797

object, Silver, teapot, tray

£295

1758/18: Possibly the rarest caddy of all: a particularly fine and rare TEA CADDY in the form of a teapot! This wonderful very early 19th century caddy is from the family of "fruit" caddies and is turned from a single piece of fruitwood with applied handle; spout and finial to the lid. Designed to simulate a terracotta teapot of the period, it is decorated with gilding to the edge of the spout; the lid; the handle and with a pretty oval 'patera' below the steel escutcheon. Excellent original condition with original lining. 9ins wide overall; 8ins high including the finial and 5ins deep. (22.75 x 20 x 12.75 cms) c.1810

Caddy, object, tea

£2250

1756/18: A good Royal Worcester porcelain CANDLE-SNUFFER: "Confidence" depicting the famous Jenny Lind. Date coded for 1905. 4.25ins (10.8cms) high. *Jenny Lind (born Stockholm 1820 ~ died Malvern 1887) was a most famous 19th century soprano opera singer, often known as the "Swedish Nightingale". In 1852 she undertook a long tour of the United States; tickets for her performances were in such demand that they were sold by auction. She made a great deal of money and donated most of her profits to her favourite charities, principally the endowment of Free Schools in her native Sweden. c.1905

candlesnuffer, object, Porcelain, Worcester

£295

1752/18: A wonderful quality and complete mid-19th century figured rosewood LADY's DRESSING CASE in pristine condition. The case is of beautifully figured timber, inlaid with brass stringing and opens to reveal the stunning interior. This comprises TEN bottles and jars, all with high quality silver tops, and a gorgeous tray of implements (some silver) to the front. Below is a removable tray for writing including silver-top ink bottles; jewellery compartments etc. with a further compartment below. Good easel mirror to the lid and document pouch with makers label for: Wells & Lambe of London. Hallmarked for London 1845. 12.5 x 9 x 5.5ins. *A very fine Dressing case indeed! c.1845

box, Dressing, object, Silver

£2450

1736/18: A pair of large and impressive Continental, perhaps German, PORCELAIN VASES. Each has two beautifully hand-painted 'riverscape' scenes, within ornate gilt borders, which depict vessels either moored; being cleaned or provisioned, on the banks of a large river, with a background of quite a significant town and a bridge. There are four large scenes in total, whilst the necks are of puce-coloured scalework with gilt highlights. The quality of the painting in these scenes is particularly fine. 19ins (48.25cms) high. Priced for the PAIR. *The crossed sword marks underneath, similar to Meissen (though not so) indicate perhaps a minor German factory. c.1870

German, marine, object, Porcelain

£1950

1724/18: DUCOMMUN GIROD: a good mid- 19th century SWISS MUSIC BOX in perfect working order. The walnut box is inlaid to the lid with marquetry and boxwood stringing, and opens to reveal the movement inside which plays EIGHT pretty tunes beautifully. Both the comb and cylinder are in excellent condition, and it is complete with its original hand-written tune sheet. Signed to the end of the brass crank lever. 19ins wide; 7.5ins deep; 6ins high. (48 x 19 x 15cms) c.1865

box, Music, object, Swiss

£1350

1711/18: EUGENE MARIOTON: a large and most impressive gilt BRONZE SCULPTURE of "Victory". Measuring 24ins (63cms) high overall she is depicted as a winged young woman, dancing with arms outstretched. She wears a stylised helmet and flowing dress and is mounted on an integral gilt bronze base. Good original gilding and fine patina. Signed: "Eug Marioton" and with stamp for the foundry: E. Colins et Cie, Paris. 24ins (63cms) high * Eugene MARIOTON (1854-1933) enjoyed a long and very successful career as a sculptor specialising in large impressive heroic figures. c.1890

bronze, French, Marioton, object

£2350

1709/18: Hand MULLERr: a fine bronze figural group of a huntsman and his dog. He stands, wearing boots; his "Plus Twos" and a jaunty Alpine hat, holding his shotgun, whilst his retriever is poised at his feet. Signed to the integral base: H. Muller. 17ins (43cms) high. * Hans MULLER was born in Vienna in 1873 and became well known, particularly for his portraits and busts. However he also produced a few animals, mainly hunting dogs. He died in 1937. c.1900

Austrian, bronze, Hunting, object

£1750

1703/18: An attractive mid-19th century cube TEA CADDY probably of French origin and in fine condition. The lid and all four sides are profusely inalid with scrollwork set within chequered multi-string inlaid borders, with ebony corner mouldings and a pretty cast brass 'axehead' handle to the lid. 5 x 4.75 x 4.75ins (12.8 x 12 x 12cms) c.1860

Caddy, French, object, tea

£485

1698/18: A lovely quality (and quite early as these boxes go) fitted DECANTER BOX in excellent condition. The good case is constructed of solid mahogany which is bound in brass with a recessed brass military-style handle inset into the lid. It opens to reveal the full set of four cut-glass decanters of rather unusual and attractive design. All these are original and in perfect condition and the box is complete with its good original working lock and key. (Wine labels modern). 8.25ins (21cms) high. c.1825

box, decanters, object, Oil, painting, portrait, tantalus

£1275

1697/18: A delightful late 19th century silver CREAM JUG & SUGAR BASIN in virtually "mint" condition ~ possibly unused. Of 'canister' design, both matching pieces are robust and very heavy guage with their solid "C" shaped handles, and attractive beaded decoration to the upper rim and lower edge. Hallmarked for Sheffield 1880. Both are 3ins ( 7.65cms) high; the sugar basin 5.5ins wide. *Priced for both pieces. c.1880

bowl, jug, object, Silver

£250

1696/18: A lovely set of SIX French solid silver TEASPOONS in excellent condition and in their original presentation case. The design is typically Continental, with their pointed bowls and all are in fine, almost unused condition. Each spoon is marked for the "Premier" quality (950); town mark not yet researched. *This pointed bowl design makes these ideal for use as grapefruit spoons! c.1870

French, object, Silver, spoon

£195

1687/18: A very pretty mid/late 19th century Japanese BRONZE VASE of the Meiji period. Of slender and elegant shape, it features a splendid cockerel perched on a prunus branch with copper, silver and gold inlay of the finest quality. Engraved signature to the body. 7.25ins (18.5cms) high. c.1865

bronze, Japanese, object, vase

£495

1675/18: A fine, rare and impressive early 19th century Gentleman's WRITING & DRESSING BOX in excellent condition. Made using finely figured solid mahogany and beautifully bound in brass, it features an engraved cartouche to the lid and recessed brass handles either side. It opens to reveal a conventional interior with original writing surface and pair of ink bottles. However, when the upper inside lid is opened, there is revealed a fully fitted Dressing Case interior with Old Sheffield Plate lidded bottles and jars and other items, plus additional boxes with sliding lids etc. Below the long removable pen-and-ink section at the back is the reading bar, which allows the box to be used as a reading slope. 20 x 11 x 7ins (51 x 28 x 18cms) c.1825

box, Dressing, object, writing

£985

1668/18: A good quality early Victorian silver mounted CLARET JUG (or wine jug) in perfect condition by George Angell & Co. The silver collar and spout, with the integral handle, is cast with oval "cameos" to either side, whilst the spout features a character mask to its lower edge. Fully hallmarked to collar and to the hinged lid for London 1845. 10ins high. c.1845

claret, object, Silver, wine

£795

1664/18: A good quality ~ and heavy ~ Russian SILVER CREAM JUG in excellent condition. Of 'classical' shape, and of substantial gauge, this good jug is decorated with stylised palmettes around the upper edge with gadrooning further below and an elegant shaped handle. It is supported on a pedestal leading to a square plinth base, where the hallmarks can be found. 6ins (15cms) high. c.1900

jug, object, Russian, Silver

£325

1663/18: N. SOTHEBY PITCHER: a good and interesting OIL PAINTING on canvas, which depicts the Isle of Arran, off the West coast of Scotland. Typical of this renown artist's style, his famous broad brushstrokes capture well the chilly conditions of a small working Scottish port. A tramp cargo ship with tender alongside, is anchored against a background of whitewashed Highland cottages and the harbour wall, whilst clouds scud across the sky. Signed and dated lower left. 29 x 25ins (73.5 x 63.5cms) including the frame. *Neville Sotheby PITCHER (1889-1959) a coastal landscape and marine painter, served for a while in the Merchant Navy. Between 1912/1942 he exhibited 13 pictures at the Royal Academy and many other elsewhere. c.1950

marine, object, Oil, painting

£1450

1660/18: LEIGH-PEMBERTON: a fine PAIR of OIL PAINTINGS on panel entitled on the original labels to the reverse: "The Age Hogarth" and "The Du Maurier Era". Brightly painted and full of charm, they depict the fashions and pastimes of their period. They are in excellent condition and complete with their original frames. 28ins x 24ins including frames. (71x61cms) * John Leigh-Pemberton, born in 1911 and brother of a Governor of the Bank of England, was an artist and illustrator. Educated at Eton and a Flying Instructor in the Second World War, he decorated the interiors of a number of ships and worked on the Shell Guide Series. c.1949

object, Oil, painting

£2650

1657/18: An interesting and good quality cased SHIPS MODEL of the "Kathleen & May" ~ the last of the famous three-masted schooners. The "Kathleen & May" was built by Ferguson and Baird at Connah's Quay in Flintshire, and she became a familiar sight as she plied her trade along the North Coast of Devon. This fine model was made by Commander Masters Norman DSC., who was official modeller to the Admiralty. Overall dimensions of the case: 35ins long; 18ins high 12ins deep. (89 x 46 x 30.5cms) c.0

model, object, ship

£985

1648/18: ROYAL WORCESTER: a good set of FOUR porcelain figures from the "CRIES OF LONDON" Series, modelled by James Hadley. These are quite rare, and comprise: "Ye Water Carrier"; "Ye Night Watchman"; "Ye Marking Stones Man" and "Ye Brush Man". First introduced in 1883, these are date-coded for 1884. All are perfect; fully marked and measure about 7ins (17.75cms) high.( *Priced for the set of Four) c.1883

figures, object, Porcelain, Worcester

£1100

1608/17: A good quality late 18th century OVAL TEA CADDY, veneered in sycamore wood and inlaid with marquetry flowers and leaves to the front, tied with a marquetry ribbon. The lid, which features an inlaid oval panel of flowers, on a satinwood background, opens to reveal the interior with much of the original lead lining intact. 6ins wide. c.1790

Caddy, object, oval, tea

£850

1606/17: A good late 18th century OVAL TEA CADDY veneered in figured sycamore wood, with boxwood edges. The lid is inlaid with an oval marquetry panel of a conch shell, with a similar oval panel to the front, flanked by inlaid trailing leaves and harebells. The inside contains much of the original lead lining. 5.5ins wide. c.1785

Caddy, object, oval, tea

£875

1599/17: Van Der Straeten: a charming Art Nouveau period BRONZE BUST of compact size, depicting a young lady who smiles broadly, her hair tied up with a scarf. She wears her dress in a 'decolletage' style ~ the popular fashion of the day. Mounted on a shaped onyx base and signed both by the artist and the foundry. 8ins high; 4.5ins wide; 3.5ins deep. (20 x 11.5 x 9cms) *Georges Van Der Straeten was born in Ghent in 1856 and died in 1941. He moved to Paris in 1885 and represents the Belle Epoque period (1871-1914), becoming famous for his busts of young women. This one he called "Felicia". c.1890

ArtNouveau, bronze, object, woman

£295

1597/17: INJALBERT: a charming small late 19th century French BRONZE SCULPTURE. Mounted on a shaped onyx base, this pretty bronze is gilded and depicts a laughing girl as she looks happily to her left at something that has caught her eye. Signed by the artist and also with the foundry( Siot of Paris). 5ins high; 3.5ins wide; 3ins high (12.7 x 9 x 7.5cms). *Jean Antoine INJALBERT was a much decorated French sculptor. Born in 1845, the son of a stonemason, he was awarded the Legion d'honneur in 1900 and Commander in 1910. He died in 1933 having been Chief Instructor at the Ecole des Beaux Arts for many years. c.1890

bronze, French, Girl, object

£395

1576/17: An amusing (and rare) late 19th century Austrian cold-painted BRONZE ELEPHANT in good original condition. He is portrayed with his trunk raised playfully and is complete with his original polished ivory tusks and original paintwork. Apparently unmarked but clearly a genuine Vienna cold-painted bronze. 6.5ins long; 4.25ins high; 2.5ins deep (16.5 x 10.8 x 6.5cms) c.1880

Austrian, bronze, elephant, object

£785

1571/17: A good quality late 19th century SEWING BOX with a particularly fine and complete collection of beautiful sewing equipment. The box is of coromandel wood, bound with steel strapwork, and the lid opens to reveal a fine display of tools and implements all made of Mother-of-pearl. These include: set of 4 cotton-reels; tape measure; needle cleaner; pair of engraved MOP needle cases and pin cushions; set of 4 MOP winders; MOP thimble; scissors; penknife; wonderful ruler and a number of other items. Slight spotting to the 'royal' purple silk lining, but perfect in every other aspect. 11ins x 8 x 4.5ins. (28 x 20 x 11.5cms) c.1865

box, MotherofPearl, object, sewing

£895

1543/17: A charming PAIR of watercolours by Karl FEIERTAG: "Two on a Swing" and "Pushing the Swing" in their original mounts and frames. These cheerful paintings depicts children laughing as they play on a swing in the garden of their home. They retain their original bright colours and both are signed l.r. corners. 22ins x 18ins (56 x 45.5cms) including their frames. * Karl FEIERTAG (1874-1944) was Austrian by birth, who became famous for his historical and genre paintings, particularly of children. Priced for the pair... c.1920

object, painting, Pair, watercolour

£475

1525/17: An impressive and large set of FOUR early 20th century Art Deco period BRONZE SCULPTURES, representing the four Seasons. Apparently unsigned, but probably Italian and perhaps in the style of Palozzi, these striking bronzes have a charm and presence of their own. Each measures 24ins (61cms) high and can presumably be displayed either outside or indoors. Priced for the set of four. c.1920

bronze, Italian, object, sculpture

£4950

1416/17: ANONYMOUS: an interesting and somewhat speculative Continental OIL PAINTING on panel possibly after the 17th century Dutch painter Johannes Lingelbach. This well-composed view depicts various figures and livestock on the grassy banks of a rural harbour, with sailing vessels moored behind, some flying the Dutch flag. A church tower can be seen on the left with hills behind. Good condition. 22 x 18ins including the frame. (56 x 45.5cms) c.1800

Dutch, marine, object, Oil, painting

£580

1252/16: Anonymous (perhaps in the style of Sir Edwin Landseer 1802-1873!): a charming and well painted Victorian period OIL PAINTING ON CANVAS depicting a young couple feeding their grey a last meal before nightfall, perhaps outside a Public House. Their three dogs are in attendance with an English lane disappearing into the distance behind. 19ins high; 16ins wide including the frame. (49 x 40.5cms) c.1860

Landseer, object, Oil, painting

£750

876/15: A fine quality and very decorative early 19th century gilded CONVEX MIRROR in good condition. Surmounted by a carved and gilded eagle perched upon a central shell motif and flanked by carved gilded acanthus leaves, the convex mirror is set within the deeply moulded concave frame, with Vitruvian scroll decoration to the outside edge and an inner ebonised slip frame. Below are the original gilt hinged candle-holders, set to a central tablet with 'grill' decoration and with the original cut glass candle sconces. Overall height 43ins (109cms) c.1810

convex, furniture, giltwood, mirror, object, Regency

£2450